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  • English-Greek glossary of basic terms of Byzantine musicology - Edited by Papadopoulos Sophocles
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English-Greek glossary of basic terms of Byzantine musicology - Edited by Papadopoulos Sophocles
CODE: ΠB-631
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ΠΙΣΩ ΣΤΗΝ ΛΙΣΤΑDictionairies - Biographies

English-Greek glossary of basic terms of Byzantine musicology - Edited by Papadopoulos Sophocles

CODE: W399941074
9789606685859

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  • DESCRIPTION
    A complete dictionary of musical terms containing musical diagrams as well as the names of the phonograms and alterations in five different languages.The science of Byzantine Musicology is more than a century old, with the majority of its studies being written in Greek and English. This Glossary attempts for the first time the matching of the two language codes in terms of terminology, but also of importance.
     
    Edited by musicologist and linguist Gerasimos-Sophocles Papadopoulos, the Glossary is the essence of the translation process of Professor Christian Troelsgard's book "Byzantine Neumes", which has also been published by Fagottobooks. The definitions quoted have been taken mainly from this book, with some additions by the curator himself, where this was deemed necessary.
    Although at the first level the bilingual list of terms seems to be just a useful tool for the researchers of Byzantine Musicology, in fact within the various definitions are concentrated a multitude of musicological, historical, morphological, philological and other information, which make the Glossary easy to use. for those who wish to immerse themselves in the secrets of the old tradition of Byzantine Chant.



    Contents:
     
    Foreword Preface of the Greek edition Preface Introduction
     
    I. The texts of the songs Words and music The language of the chanting texts Accents and music Syntax and music Autonomous - Similar Psalms based on the syllables
     
    II. Preliminary remarks on Byzantine notations Chanting before the gestures Byzantine and Western neem notes The unknown origins of Byzantine notations From "spacetime" to "spacing" The problem of "scales" and "stringing"
     
    III. The varieties of Byzantine musical notation Reading notation or "Expressive" Theta notation Coislin and Chartres notation "Middle Byzantine" or "Round" notation The "New Method" or "Chrysanthemum notation"
     
    IV. Transcription of the Middle Byzantine notation The MMB transcription system Other transcription systems van Biezen's transcription system The Raasted transcription system The Stathis transcription system The transcription system used in this book
     
     
    V. The signs of the Middle Byzantine notation The equal bodies and spirits Dynamic quality and phraseological function of the signs Overview of the space signs Additional space signs Rules for the combination of signs Signs "Small" space signs The functions of large hypostases What are major hypostases and how often do they occur Rhythm and rhythmic signs Overview of rhythmic signs Double, two apostrophes and holding Prayer Tromicon Vote The earthquake complex The terminology of large hypotheses Semiotic variants ("red script variants") Paleographic distinctions Are there local and individual neural styles? Map (places of origin of manuscripts)
     
    VI. Sounds, Melody, and Intervals The Octopus Names and Numbering of Sounds Tropicity Audio Testimonies Arctic Testimonies (AM) The Vehicles Overview of Testimonies and Vehicles F Overview of damage Coloring
     
     
    VII. The Byzantine chanting styles The simple chanting of hagiographic texts Musical performance of the members / simulations The Eirmologio The Stichirario The Psalter The Asmatic The calligraphic styles Appendix Bibliography and abridgments Complementary bibliography
     
  • See Also